**Note that these are my non-academic music articles. See here for a list of my academic publications.
Recent Music Articles
“At the Intersection of Digital Audible Histories and Experimental Music Practice.” NewMusicBox, March 6, 2019. https://nmbx.newmusicusa.org/at-the-intersection-of-digital-audible-histories-and-experimental-music-practice/
“5 Questions to Mahir Cetiz (composer, conductor, pianist).” I Care If You Listen, December 4, 2018. https://www.icareifyoulisten.com/2018/12/5-questions-to-mahir-cetiz-composer-conductor-pianist/
“5 Questions to Yoshiaki Onishi (composer, Guggenheim Fellow).” I Care If You Listen, July 12, 2018. https://www.icareifyoulisten.com/2018/07/5-questions-yoshiaki-onishi-composer-guggenheim-fellow/
“The Sound of Empathy in George Lewis’s Afterword.” AMS Musicology Now blog, May 11, 2018. https://musicologynow.org/the-sound-of-empathy-in-george-lewiss-afterword/
“Toward a Matriarchal Aesthetic of Music.” Corymbus, September 24, 2017. http://corymbus.co.uk/toward-a-matriarchal-aesthetic-of-music/
“Bells for the South Side: The AACM and Its Ongoing Impact.” Album review of Roscoe Mitchell’s “Bells for the South Side.” Released June 30, 2017. ECM. I Care If You Listen, July 20, 2017. https://www.icareifyoulisten.com/2017/07/bells-for-the-south-side-aacm-ongoing-impact/
“Boundaries: An Interview with George Lewis.” Van Music Magazine, June 22, 2017. https://van-magazine.com/mag/george-lewis/
“Community and Empathy at the 2017 Ojai Music Festival.” Concert review of the Ojai Music Festival. Ojai, CA: Libbey Bowl, June 8-11, 2017. Second Inversion, June 14, 2017. https://www.secondinversion.org/2017/06/14/community-and-empathy-at-the-2017-ojai-music-festival/
“On the Bildungsroman and the Dramaturgy of the Avatar in George Lewis’s Afterword.” Program Notes for Ojai Music Festival. Ojai, CA: Libbey Bowl, June 9, 2017. https://www.ojaifestival.org/afterword/
“J.S. Bach’s Six Sonatas and Partitas for Solo Violin.” Program Notes for Miller Theatre Lunchtime Concert Series. New York: Miller Theatre, September 28, 2009.