Wagner, Afterlives of 1968, and Global Politics: Stagings of Wagner’s Ring Cycle in Divided Germany (in preparation)

Articles, Reviews, and Dissertation

“Gesture and Dramaturgy of the Avatar in George Lewis’s Afterword.” In Opera in Flux: New Approaches to Identity, Staging and Narrative, edited by Yayoi Everett and Nick Stevens. Ann Arbor: University of Michigan Press, Fall 2021. [Link to project description]

“Book Review of Martin Rempe’s Kunst, Spiel, Arbeit: Musikerleben in Deutschland, 1850 bis 1960 (Göttingen: Vandenhoeck & Ruprecht, 2020).” Revue de musicologie (Spring 2021).

“Book Review of Gundula Kreuzer’s Curtain, Gong, Steam: Wagnerian Technologies of Nineteenth-Century Opera (Oakland, CA: University of California Press).” Current Musicology 103 (Fall 2018): 131-137. [Link to book review]

“Staging the Past: Richard Wagner’s Ring Cycle in Divided Germany during the 1970s and 1980s.” Ph.D. Diss., Columbia University, 2015. [Link to abstract and dissertation][Writing sample]

“Rethinking Postwar History: Munich’s Musica Viva during the Karl Amadeus Hartmann Years (1945-63).” The Musical Quarterly 90, no. 2 (2007): 230-274. [Link to article]

Online Publications

“Entry on Regieoper (Regietheater).” Grove Music Online (Oxford Music Online). Last modified December 30, 2019.

“The Sound of Empathy in George Lewis’s Afterword.” AMS Musicology Now Website. Last modified May 11, 2018.

“Karl Amadeus Hartmann.” OREL Foundation Website. Last modified August 1, 2008.

See here for a list of my non-academic publications and program notes.