Category: Book Review
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Listening for Heterophony
Book Review of Fumi Okiji, Jazz As Critique: Adorno and Black Expression Revisited (Stanford: Stanford University Press, 2018) A key insight from Walter Benjamin’s “The Storyteller: Reflections on the Works of Nikolai Leskov” is what Andrew Benjamin has termed “iterative reworking.” A story is a “plural event,” each retelling both augmentative and constituted by it; […]
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Musicology, Performance Studies, and Performing Antiquity
Book Review of Samuel N. Dorf, Performing Antiquity: Ancient Greek Music and Dance from Paris to Delphi, 1890-1930 (New York: Oxford University Press, 2018) Performance studies is unsettled, open, discursive, and multiple in its methods, themes, objects of study, and persons. It is a field without fences. It is “inter” […]. Being “inter” is exploring […]